BGVP DMS review everyone. BGVP has been busy recently with their ArtMagic releases which finally landed on the $1,000 plateau. It was quite a leap from their traditional IEM offerings which was generally priced at around the $100 to $300 mark. Things just got to move and improve and BGVP certainly has done what it can to show to the audiophile world that it isn’t messing around.

The BGVP DMS review unit used for this was sent in by Linsoul Audio in exchange for an honest review and no other monetary factors are involved. You can check their official Linsoul Audio website for more of their audiophile offerings. I have also reviewed other BGVP products and you can check them out here, BGVP DM6, BBGVP DMG and BGVP DX3s.

The BGVP DMS features 6 Balanced Armatures (Knowles SWFK0-31736/DEK-60318 + BGVP drivers) and a single 10mm polymer composite dynamic diaphragm driver in a 4-way crossover sound scheme. The BGVP DMS is spec’d out with 10Hz to 40kHz Frequency Response, 12 Ohm Impedance and a 110dB Sensitivity.  Priced at $159, the BGVP DMS continues from where the DM6 left where in terms pricing and hopefully makes the same splash that it did when it went live.

Packaging

Greeting new BGVP DMS owners starts off with a black sleeve with the DMS snapshot upfront and the usual product specifications at the back that covers the unassuming brown cardboard box. Opening up the box reveals the DMS stashed in a black foam cutout along with 4 sets of ear tips. Here’s a complete list of the accessory set.

• 1 black foam ear tip
• 1 set translucent gray silicone narrow bore ear tips (S, M, L)
• 1 set black silicone wide bore ear tips (S, M, L)
• 1 set translucent gray silicone red bore ear tips (S, M, L)
• Shirt clip
• Product manual and warranty card

Build Quality

BGVP has this duality when it comes to the overall design language of their IEMs which is highlighted by the significantly distinct look of the DM6 and DM7 against the DMG and the DMS. The DMS takes on the more industrial look by having a recognizable two-tone color scheme and the use of a more traditional earphone cable configuration. The blue on black or black on black colorways offered in the DMS shows it has no time for fad non-sense.

Before we delve deeper, the BGVP DMS kinda came in a version 1 and version 2 edition wherein the v1 doesn’t have the changeable filter nozzles but came in the v2, which was similar to the DMG. I have the v1 in this case. A metal nozzle mesh and nozzle lip are also present which made ear tip rolling an ease.

The DMS has an all metal build and is built well, seams are perfectly lined, and no noticeable cosmetic lapses can be found. Its faceplate features a circular outline with 3 linear vents that has metal meshes underneath. Another single vent can be found on the shell as well. The product brand and model along with its serial number is also printed in white on the IEM shell.

The BGVP DMS has an MMCX connector and is labeled blue(left) and red(right), both in the IEM and the cable itself. A pre-molded over ear guide is also present on the stock cable. I personally like the choice of going thru with an all-black stock cable, from the Y-split, chin slider and the right angled gold-plated 3.5mm jack.

The stock cable might have some fresh-from-the-factory smell to it out of the box for a week or two but eventually mellows out. There is sufficient tension to it as well which makes it hard to retain folds and kinks making it storage friendly and easy to manage. Cable noise is also kept at a minimum.

Tonality and Isolation

BGVP has offered multiple signatures throughout the product line that I have tried from them so there were no definite expectations set as to what I would be getting off the DMS. I did a 200 hour burn in period though for the DMS just to quench some queries later. I used the JWD JWM 115 music player which I have reviewed recently along with the stock black foam eartips for the duration of the review.

The BGVP DMS offers an overall warm sound signature that deals with the midrange and high frequencies in a uniform approach, giving no certain emphasis on both. It has a tight grip on the low frequencies which creates a non-overwhelming sense of warmth.

Isolation is once again reliant on the passive noise cancelling design of the DMS shell and it worked great in blocking off almost all outside noise. I felt a slight discomfort around the Antihelix portion of my ears which made me adjust the position of the DMS in my ear or altogether take a breather. This might work best on individuals with bigger ears.

Lows

Setting up the mood for the BGVP DMS review low frequency test is Gorillaz with their Feel Good Inc. track in 16/44 FLAC. The sub bass is handled well and is delivered in an engaging way that results in a nimble and fleeting pace. Decay is also rendered in an agile fashion which compliments well with the overall sub bass speed.

The mid bass isn’t as powerful as I’ve expected it to be given the already warm signature that greets any 1^st time DMS user. It is instead rendered in a tight and sturdy way that gives good foundation towards the midrange buildup. BGVP DMS’s approach of dishing out quick and solid bursts of low-end frequencies will reel in bassheads who are tired of the usual thumpy and powerful bass drops.

Midrange

BGVP DMS’s mid-range performance comes out in an attractive way with its texture is rendered. Michael Jackson’s Baby Be Mine in 16/44 FLAC offered a full sounding lower midrange which created an inviting atmosphere for the vocals to come out smooth and rich. It doesn’t come off aggressive or off timbre.

Its upper midrange has an open feel to it that is both lively and well-controlled when reaching those sudden bumps on the frequency. The BGVP DMS primarily delivers an entertaining and refreshing take on the midrange yet wouldn’t be remembered for having an outstanding characteristic to it. You’d be happy to take it and be fine with leaving it as well.

Highs

Addressing the high frequencies on this BGVP DMS review is the Knowles SWFK0-31736. It comes out with a clean hitting treble that culminates in a sweet and open feel. There is a noticeable extension which is handled well, just enough to provide life at this spectrum.

Nigel Stanford’s Cymatics in16/44 FLAC shows no signs of sibilance and distortion. As a treblehead myself, the BGVP DMS sits in the middle of the class in terms of being a high frequency performer and a lackluster set. It won’t win hearts with its treble but has sufficient of snap to it to make the encounter satisfying.

Soundstage and Imaging

An area that the BGVP DMS excels in is in how it enforces its soundstage. It is able to create a broad and spacious effect that is airy and pans out well to the sides. Left to right and right to left panning is easily observable as well. While there is a clear focus over width than depth, the layering of the DMS still comes out well with how any apparent overlapping is absent.

Imaging also benefits greatly with how the BGVP DMS exudes good detail retrieval and clarity. Instrumental tones are easily identifiable in a stage platform. Vocal placement is on point which allows in the creating the sense of having a center point where the succeeding tones take form. The multiple vents are at least doing its work.

Conclusion

The BGVP DMS review highlights how it takes its queues from the DMG with how its overall balanced tonality and sound characteristics perform.. It’s a great all-rounder signature which is once again taking the easy way out in my opinion. The version which has the interchangeable filters would indeed provide more value for money and allow one to explore more, that is if the filters are functional.

Build quality isn’t an issue this time around and hopefully would stay the same towards any future releases from the BGVP brand. The accessory set is also manageable but a carrying case would always be welcome. The BGVP DMS will easily get a mention if not a recommendation when someone asks for what to get at its $159 price point.