Burson Audio Playmate Realview.

The universe has a fun way of placing things were they ought to be and sometimes it places things differently than what we have planned for. I was never a PC guy but with PC master race peers, I eventually ended up with building my own rig. One of the tricky things that I found while building my rig was finding a decent if not great audiophile solution for my audio needs which eventually faded and disregarded as I moved on to another hobby.

Did I say how the universe places things where they ought and not ought to be? Just when I wasn’t looking for an audiophile solution for my PC rig, the solution found me. This audiophile solution came all the way from Melbourne, Australia via Burson Audio. Burson Audio designs benchmark setting audio equipments and premium quality audio design building blocks for fellow audio enthusiasts and manufacturing partners. The Playmate unit that was used for this realview was sent over by Burson Audio in exchange for an honest take on their enhanced approached for the original Burson Audio Play and there were no monetary factors involved for the collaboration. You can check out these official Burson Audio website and the Playmate link itself for more details.

The Burson Audio Playmate offers “the best of the best with the perfect union of the highest spec’d DAC chip and the best sounding OpAmps in the world” along with “5 Max current power supplies to ensure no coil, no bottleneck with maximum dynamics” as well as “Top-quality components”. That’s quite a lot to take in for just a short read so if you’ve got some time to spare, let’s check out our newest and freshest Playmate via Audio Realviews.

Specifications and Packaging

Burson Audio Playmate:

  • Input impedance: 38 KOhms
  • Frequency response: ± 1 dB 0 – 35Khz
  •  THD: <0.002%
  • Output impedance (Head Amp): <2 Ohm
  • Output impedance (Pre Out): 15 Ohm
  • Inputs: USB, Toslink
  • Outputs: RCA Pre-Amp / Headphone Jack
  • Impedance – Power (Headphone Jack)
    16 Ohm – 1.8W
    32 Ohm – 2W
    100 Ohm- 0.5W
    150 Ohm – 3W
    300 Ohm – 0.1W
  • DAC Specs: Channel Separation (132dB@1KHz, 121dB@20KHz)
  • XMOS USB Specs:
    Channel Separation: 132dB@1KHz, 121dB@20KHz
    Mobile OS: iOS & Android (OTG support)
    PCM & DXD Support: PCM 32Bits/768kHz
    Native DSD: Native DSD 64 / 128 / 256 / 512
    DSD over PCM: DoP64 / DoP128 / DoP256

With the ESS9038Q2M 32-Bit Stereo Mobile Audio DAC being used on the Playmate, Burson Audio has kept up with the recent trend of using up-to-date components within their systems, it isn’t from SABRE’S PRO series though. It also makes use of the XMOS XU208 module for its digital interface which assures low jitter clock system and a much improved processing capacity of up to 1000 MIPS. The Burson Max Current Power Supply (MCPS) feature is still here which was also used on the earlier Play model, this assures that the Playmate to “shine from pitch-black background”. Burson Audio also made sure to source top-quality ELNA audio-grade capacitors, Dale military-grade resistors and Toshiba transistors to ensure the circuitry isn’t compromised.

One of the notable features of the Burson Audio Playmate is its ability to be customized according to a user’s sound preference or if you are just the tinkerer type. The Playmate by default comes with the quad Texas Instruments NE5532D op amps and can be configured with Burson Audio’s very own op amps (V6 Vivid Dualx4-$649, V6 Classic Dualx4-$649, V6 Vivid Dualx2 and V6 Classicx2-$749 and the TOTL configuration of V6 Vivid or Classic dualx5 with the Burson Audio Bang-$1,248).

The Burson Audio Playmate came in a glossy black box with red accents, typical trademark Burson Audio colors with the Playmate’s build outline and minor product descriptions and the reassuring 5-year warranty coverage. Inside this very box is a black hard foam cutout where the actual Burson Audio Playmate unit rests. There are 2 black rectangular boxes beside this setup which contains all the other accessories which are as follows:

  • 6.3mm to 3.5mm adapter
  • Allen/Hex screwdriver
  • Power Supply
  • Inside computer plugs,
  • RCA-RCA stereo cable
  • Product Manual
  • Warranty Card

Build quality and Interface

The Playmate comes in either Noir (Black) or Everest (Silver) colors with anodized all-metal build. It is as edgy as can it be since Burson Audio has considered making the Playmate to be integrated in a computer case’s front drive bay panel with dimensions of 210mm x 145mm x 45mm and an approximate weight of 2kg. Despite being designed to fit in a desktop rig’s front drive bay panel, the Playmate still takes into account of it being a separate device from your rig by being an independent device that consumes precious horizontal desk space which is aided by 4 rubber feet on its bottom corners.

Front Panel

The Playmate’s front panel has a much standardized anodized finish that appears glossy and almost plastic-like, once again taking into account being integrated into a computer case’s front drive bay panel which are mostly acrylic glass to show off that “RGB is life”. Speaking of RGB, the Playmate’s lone display panel is a deep purple acrylic display (unconfirmed) which appears black on regular light with blue indicator backlights that displays all the Playmate’s settings (Volume, Input, Output and track playback format/bit rate). I would personally prefer white indicator backlights to match most desktop I/O backlights, small quirks but the Obsessive-compulsive in me kicked in.

Featuring 3 jacks upfront, the 1st being the 6.5mm output jack at the left most side next to a dedicated Mic jack because gaming, remember? Burson Audio opted to include a type-C input jack which supports both Desktop and Mobile OS (Windows, Mac, Android and iOS) systems. 4 Allen/Hex screws are also present with great ease of access in case you would are open to customizing the Playmate’s stock Texas Instruments Operational Amplifier (OP AMP).

Side Panels

Gracing the Playmate’s side panel is a lone feature which is the 2 drive bay screw sockets on each side for the sole purpose of being mounted on that front drive bay panel.

Back Panel

The Playmate’s back panel still features 4 Allen/Hex screws for the body and 3 star screws for keeping both the RCA output jacks and the Optical output jack. The main power ON/OFF switch in the usual red plastic with white marking configuration is also present on the Playmate’s back along with the dual power jacks being either the usual barrel power jack with a dedicated power supply (100-240V AC) or the 12V DC 5A Molex connector for connecting it once mounted into a desktop’s drive bay panel. The combination of an Optical and USB 2.0 Type-B (768 kHz/32bit, Native DSD 64/128/256/512 and DoP64/128/256) for input makes the Playmate ideal for indeed both desktop or drive bay panel use.

Connectivity and Stability

The inclusion of the Mic input on the Burson Audio Playmate automatically places it into a unique category of being an audiophile-grade DAC/AMP/Pre-AMP device that doesn’t alienate gamers and the gaming/streaming community as a whole. It’s ironic though that I wasn’t able to personally try the Mic function as I wasn’t able to secure a dedicate Mic for the Playmate realview, another area of improvement for the page which I’d certainly address and update on this aspect of the Playmate once the Mic comes in.

The USB 2.0 Type-B worked great and immaculate when connected to my MSI GF62 8RE laptop, no issues and connectivity hiccups. It also synced easily when using my type-C OTG cable to either my OnePlus 3T smartphone or with the xDuoo X10tii. The Optical input also worked great when paired to my trusty old PS3 Slim with no issues encountered. The USB-C input port is a whole different story though since it wasn’t able to register any type of input from my use of various type-C OTG dedicated cables which worked on other type-C based devices that I have, Burson Audio needs to address this fast.

Sound Quality

Burson Audio’s main line of business as far as I’ve seen and heard from peers are their audiophile components which gets integrated into another audio company’s desired implementation making them a capable team-player oriented company right off the bat which suits the “Playmate” namesake for this specific Burson Audio model.

With all that in mind, the Playmate with its ESS SABRE DAC and Texas Instruments OpAmp configuration allowed for a variety of digital filters which are as follows:

  • Brickwall – Maximum flat response (used for the realview)
  • CMFR – Corrected minimum phase fast roll off
  • Reserved – Reserved for future updates
  • AP Fast – default
  • MP Slow – Minimum phase slow roll off
  • MP Fast – Minimum phase fast roll off
  • LP Slow – Linear slow roll off
  • Lp Fast – Linear fast roll off

The Playmate also featured a HI-LOW headphone output gain which worked great in driving IEMs (Tin HIFI T3, CustomArt FIBAE BLACK, Fearless Audio S6Rui, BGVP DM6), earbuds (Shozy BK Stardust and BGVP DX3s) and Headphones (Meze Audio 99 NEO, Sony CD900st and ATH-AD900x) alike which all came out hiss-free. The Playmate also worked seamlessly when paired with my MSI GF62-8RE laptop (Windows10 Home) with the Foobar2000 v1.4 churning out a mixed bag of 16/44, 24/48 FLAC files. I decided to roll with the Meze Audio 99 NEO for the whole realview as it was the one that I found to have complemented well with the Playmate. You can check my Meze Audio NEO realview here for a deeper insight into my own take for it but for an overall take, the 99 NEO’s is a smooth sounding warm signature set of headphones.

The Burson Audio Playmate sound is all about being full and engaging with its delivery. I made sure to get the hang of it by using it as my daily driver from binge watching my favorite TV shows to my gaming marathon sessions and in return, the Playmate gave me a clear sounding midrange that is both easy to discern and enjoy, male vocals had lower midrange extension for a full sounding experience while the upper midrange performance was detailed enough. The treble delivery was soft but with great clarity which is absent of sharp peaks and not the type to trigger your choice of IEM, earbud or headphone to be sibilant. I decided to take on the lows at the last part as it was the least notable from the Playmate’s most distinct qualities but the one that makes both the midrange and highs to work great. The low frequency performance of the Playmate is done with care, it isn’t overpowering but has ample and tight impact delivery and a non-congesting thump, a great foundation implementation for the succeeding frequencies.

Who dares forget about soundstage, imaging and separation for an audio device which supposedly caters to the gaming community where this aspect is of paramount consideration? Burson Audio’s Playmate surely does not, while the soundstage performance of the Playmate is aggressively dependent on the output medium of choice, be it a closed setup or open, the Playmate’s imaging and separation was on point and distinct. Detailed and clarity is one of the Playmate’s strengths.

I’m yet to try OpAmp rolling and hopefully would delve into it sooner than later especially now that I have the xDuoo XD-05 and the Burson Audio Playmate to play with which are great OpAmp rolling companions.

Conclusion

A non-functioning front USB-C output port (for now) plus not including the remote control by default for that lazy ass of mine, pardon me for I’ve been pampered by my Sony CAS-1 remote setup, are my biggest Playmate discomforts. Everything else about the Playmate is great, from its stellar imaging and separation performance to its full-bodied sound devoid of both hiss when switching gears and off timbre frequencies makes the Burson Audio Playmate a must have for the jack-of-all-master-of-none type of gamers and a solid must-consider DAC/AMP/PreAMP for audiophiles.